Thursday, August 19, 2010

Dance Review: Eva Dean's UBA Bounce at Dixon Place

Cristal Albornoz, Eva Dean, George Hirsch, Zoë Schieber and Sarah Sadie Newett; "UBA BOUNCE" / Eva Dean Dance For years artists have bravely performed with the ballistics of balls and have awed audiences.  Jugglers, rhythmic gymnasts, and street performers entertain with the suspense of dropping the ball.  Welcome UBA bounce to this group of performers!  UBA Bounce’s performance, however, is like watching the 3D movie version of the other performances- more eye popping color, speedy unexpected acrobatic feats and of course, chaotic challenges of controlling unpredictable balls.  UBA bounce dancers interact with the balls as if they are fellow dancers. Each ball is personified and possesses its own quality and quirks.  Yes, Eva Dean’s UBA Bounce is an innovative and ingenious idea- she is absolutely breaking boundaries with balls.

Appropriate for the lazy, sweaty days of summer, the balls do not bounce during the performance, but rather roll and relax like they are vacationing in the Hamptons away from the bustling bounce of the city.  A variety of balls appear amongst five dancers in ten works choreographed by Eva Dean and you question who controls the movement:  the ball or the dancer? Become a Member.  Join iDANZ Today!

Of my favorite pieces, Pearl showcases the sophisticated skill of Dean’s choreography.  Dean and Zoe Schieber dance with two other pearl balls that adopt the persona of Charlotte’s “Sex and the City” Park Ave personality.   The fluidity and harmonized movement created the allusion of synchronized swimming.  

Cristal Albornoz, Eva Dean, George Hirsch, Zoë Schieber and Sarah Sadie Newett; "UBA BOUNCE" / Eva Dean Dance Continuing with the water theme, Bounce Surfing channels the audience to an aquarium in three parts.  In “Wave,” George Hirsh and his counterpart, a blue buoyant ball, bring the audience into waves with watery, continuous flux.  While in “Dolphin” the ensemble cast mimics the playful, fluent movement of dolphins.  Like the spectacular at Sea World, dancers flip and balance balls with the agility and grace of dolphins that are always awarded with a huge splash of applause.  The final section, “Surfing,” brought me immediately to the tobogganing penguin exhibit.  The slippery silver balls propel the dancers across the stage and back demonstrating the dancers’ teamwork throughout a piece of slipping and sliding fun.  

Cristal Albornoz, Eva Dean, George Hirsch, Zoë Schieber and Sarah Sadie Newett; "UBA BOUNCE" / Eva Dean Dance In Bounce 09, UBA acts as the main character of the work as a big, bright orange ball.  A kaleidoscope meteor shower of color from supporting actor balls bring the dancers into a Wonka Land experience where bubbles and carefree play transform the stage into a playground.  

The final piece, Samba Poi, utilizes twirling, psychedelic neon light poi balls that immediately transport the audience into the Latin flavor nightlife of Miami Beach.  The sexy samba dance along with the glowing lights is like watching a tropical festivity along the palm tree lined Ocean Drive. 

Throughout the performance I marvel at the dancer’s strength, control, and especially their balance.  Ms. Shieber seems to never touch the ground, constantly balancing and walking on the ball like a tight ropewalker.  The dancers’ work with the ball is like a full fitness regime in itself!  If anyone has exercised using a physio ball, you know it is a killer ab Cristal Albornoz, Eva Dean, George Hirsch, Zoë Schieber and Sarah Sadie Newett; workout!!   The abs of the UBA Dancers definitely give Jessica Biel’s Hollywood washboard abs some serious competition.

Join UBA Bounce in a spectacular show where dancers and balls impress and excite your expectations and imaginations. 

UBA Bounce continues to perform at Dixon Place on:
THUR 19 @ 7:30 pm
THUR 26 @ 2:00 pm
FRI 27 @ 5:30 pm
SAT 28 @ NOON

Photography by Yi-Chun Wu
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iDANZ Critix Corner
Official Dance Review by Katie Gibson
Performance:  Eva Dean's UBA Bounce
Choreographer:  Eva Dean
Venue:  Dixon Place
Show Date:  Sunday, August 15, 2010

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Thursday, August 12, 2010

Dance Review: Kate Weare and Monica Bill Barnes at The Joyce Theater

Kate Weare, Photography by Christopher Duggan I will be keeping an eye on two refreshing new choreographers debuting at The Joyce this week.

From August 9th through the 14th, Kate Weare and Monica Bill Barnes share a marquee with Camille A. Brown and Andrea Miller.  The latter two are both mentioned in Dance Magazine's "25 To Watch" list, and while I love watching both sets of choreographers gain ground, I only have tickets to see Kate Weare and Monica Bill Barnes.  Nothing thrills me quite so much as witnessing fantastic talent emerge, and the two companies could not have been better matched.

Become a Member.  Join iDANZ Today! Kate Weare Company premieres Bright Land, a series of dances set to the live music of San Francisco-based folk band The Crooked Jades.  Seeing live musicians on stage as the curtain rose is enough to make me cheer, but, given that I am at The Joyce and (supposedly) am sophisticated, I restrain myself. (If there had been a gut bucket, things might have turned out differently.)  The dancers enter after the first number, dancing in silence for the first few minutes, punching elaborate rhythms with their breath and their bodies.  Weare's artistry is genius in its simplicity:  the dancers create, and are ultimately swept up in, the cultural "rhythms" of life that folk music encompasses.  Throughout the piece, layers are literally stripped away as her talented ensemble tackle judgment, envy, love and death.  Kudos to dancers Adrian Clark and Douglas Gillespie for what surely is the most bruise-inducing series of choreographed push-ups ever crafted.  The overall effect is amazing.  Regardless of your appetite for folk music, however, you can't help but think, "Kate Weare is one fierce choreographer."

Monica Bill Barnes, Photography by Christopher Duggan
Smart, witty Monica Bill Barnes, on the other hand, engages her audience on an entirely different level.  No one goes to a dance concert for the comedy. But I haven't laughed this much at a dance performance since I watched Tandi Dupree drop from the ceiling into a split on You Tube. (Google it, people.) But while Miss Dupree induces shock mixed with hilarity, MBB's dancers mix awkwardness with a painstaking desire to please.  Four skinny white girls walk onto the stage in frumpy turtlenecks and woolen school girl skirts and dance to James Brown.  Obviously, this is a prescription for comedy.  They know that you, the audience, are watching.  In fact, they're trying desperately to entertain you.  In this recently reworked piece, Another Parade, Barnes lampoons the relationship between the audience and the performer.  The girls shimmy and shake, mugging and bopping through Bach and Bacharach alike.  At times dark, at times heartbreaking, and at all times unexpected, Another Parade is a smart, inventive evening of dance.

Check out Kate Weare and Monica Bill Barnes this week at The Joyce Theater.  These two companies are not to be missed!

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iDANZ Critix Corner
Official Dance Review by Molly Sorohan
Show:  Kate Weare Company and Monica Bill Barnes
Venue:  The Joyce Theater
Show Date:  Tuesday, August 10, 2010
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